I've got it. It's not really a painful thing. If you're a writer, you know what I'm talking about. Five hundred ideas dancing half-formed through your head, anxiously waiting to be born. And your fingers itch to tell the story. And you lay awake in your bed, tired, but formulating chapters, scenes, dialogues.
I stayed up until 1am b/c I had to finish chapter 8 of Branca. This book is about to be put on hold for several years, probably, and the ideas I have for it must be put down before then. And of course I already have the revisions for Walk Beside Me spinning around in my mind. I'm ignoring the sequel for the moment.
I've been thinking a lot about Multiple Points of View, or MPOV. I've always been in favor of this, but thought that the general public found it distracting. I spent a lot of time taking out the POVs in Walk Beside Me. I am thrilled that WiDo asked me to put more in.
Here's a fantastic quote I found on MPOV from a fellow author:
"Writing in multiple points of view has many advantages. It allows an author to piece together a complex story without requiring a single character to know and see everything. It makes it possible to give more information to your reader than you’ve given to your main character, which in turn makes it possible to rachet up the tension and the sense that your beloved protagonist is in danger. And finally, as my comments about omniscient voice imply, it helps with character development, by putting your reader inside the thoughts and emotions of several characters." http://magicalwords.net/david-b-coe/point-of-view-single-vs.-multiple/
Boy, that just says it all! I want to make the tension more for my reader. They are privy to information that my main character is not. He mentions the benefits of a single POV as well, and I agree. I was quite pleased w/ the 'mystery' and 'closeness' that developed between the reader and Jaci when it was entirely her POV. There won't be quite as much mystery, and for many of my readers who were annoyed that they didn't know what was going on in the rest of the world, that will be a good thing. I will work hard to maintain that closeness! I want my readers to feel like they know Jaci!
Another website said this: "In novels the point-of-view can easily be changed at a chapter break, and 2 or 3 clearly distinguished time-lines or story-lines are juggled." http://www2.eng.cam.ac.uk/~tpl/texts/multipovs.html
Ive had some issues w/ the juggling in the past. The problem w/ both books was that I started them in omniscient POV, not realizing it is a kiss of death. So while I'm about to add more POVs to Walk Beside Me, I'm trying to eliminate some in Branca and make the ones I have appear at predictable times. Particularly when we are switching back and forth between dimensions, it's important that the reader not spend too much time away from one dimension, and thus lose all interest in what's going on there.